Here suggested strategies are presented within
the context of Informed Design, a pedagogical model
for teachers. The FOCUS
components are: Focus
discussion on the problem context, Organize
for informed design, Coordinate
student progress, Unite
the class in thinking about what has been accomplished,
and Sum up progress
on the learning goals.
PERIODS 1: Focusing
Discussion on the Problem Context
THE PROBLEM. In
order to focus and engage your students, discuss
the design challenge with the class.
Music can be found in virtually every civilization.
Evidence of this has been found as far back as we
are able to investigate. There is much archaeological
evidence of musical instruments in even the earliest
civilizations. People have used music as part of
their rituals, as well as to provide entertainment.
Musical instruments have evolved from simple percussion
devices, to wind, woodwind and string instruments
to current devices that can synthesize music electronically.
Inform the class that they will be focusing on
designing a musical instrument. Distribute the Introductory
Packet, but have students put it aside until the
following meeting. Introduce the design loop diagram.
Ask "KWL" questions to find out what the
students do know, what they want to know, and what
they need to learn. Examples of such questions are:
"How is music produced with strings and columns
of air?", "How do digital and analog signal
differ?" and "What is the history of musical
instrument design?" This kind of questioning
will help you discover the naïve conceptions
individual students hold about designing a musical
instrument.
The CHALLENGE.
Redirect students to the Introductory Packet.
As you go through the packet's contents together,
present the challenge in a manner that will motivate
them. Discuss briefly the What You Will Do, Problem
Context, and Materials Needed sections.
Student teams will design and construct a musical
instrument (wind or string). Students will optimize
their design solution to produce the desired range
of notes. A digital musical recording will be produced
using their designed instrument and written onto
a conventional compact disk (CD).
PERIODS 2 - 3: Organizing for Informed Design
INFORMED DESIGN.
Elicit from students what they know about good
design and who engages in design. Ask for examples
of good design and poor design.
Tell the class that completing a series of KSBs
will help prepare them for addressing the design
challenge they face. Then introduce the student
sheet describing the informed design cycle and provide
time to read it.
The information sheet on the informed design cycle
should be referred to often as groups work on the
design challenge. The informed design loop can be
particularly useful to the students as they chart
their progress using a Design Journal. Like professional
engineers, they will find themselves using the loop
in an iterative rather than linear way.
Discuss the informed design cycle and stress
that although design is normally informed by the
designer's current knowledge, completion typically
requires access to new knowledge. Discuss the need
to research what solutions exist to solve this design
challenge, and make sure the class understands how
reaching an optimal design solution requires meeting
specifications, working within constraints, and
making trade-offs.
STUDENTS REQUIREMENTS.
Discuss the student requirements (Introductory
Packet); students will be expected to maintain a
Design Journal. Help students see that the Design
Journal allows them to document progress as they
complete literature searches, factor investigations,
and Knowledge and Skill Builders (KSBs). Describe
the requirement that each student submit a Design
Report and each group make a class presentation
at the conclusion of the module. Explain that the
report and the presentation will be based on information
recorded in the Design Journal. Alert them that
the presentations should be multimedia and should
detail their design process and results. Help them
see that such a presentation summarizes work completed
in researching, collecting, and analyzing data;
developing models; improving designs; and making
refinements. Describe the multiple forms of media
(for example, presentation software, color overheads,
videos, and computer animation) that they might
use to enhance their presentations. Assure them
that when classmates ask probing questions and challenge
group findings at the end of presentations, they
are mirroring proceedings that are common at science
conferences.
ASSIGNING GROUPS.
Talk with some of the students ahead of time to
see how experienced they are at working in cooperative
groups. Organize small working groups; assigning
three students per group is often ideal. Monitor
groups throughout the module.
PERIODS 4 -16: Coordinating
student progress
COORDINATE WORK BY INDIVIDUALS.
Plan opportunities within this module for students
to revisit their initial understandings by providing
experiences with new phenomena that contradict their
stated perceptions. Unless individuals have the
opportunity to actively process such contradictions,
they may fail to grasp the new concepts and then
may revert to their preconceptions.
Help individual students make the connection between
carefully documenting information as they proceed
and well-written reports and presentations at the
end.
Note that a student displaying unacceptable behavior
may be doing so because other members of the group
do not value that student's contribution to the
project. Get to know the strengths of such a student
and try assigning roles for all members of his or
her group. Give the student a role that features
a personal strength and inform the group ahead of
time that this person is known to do that task well.
As the work becomes more technical and cerebral,
some students will begin to complain that they are
doing all the work while others loaf. Citing examples
from your own experience, explain to such individuals
that the best way to learn something is to teach
it to others. Remind the group that it is essential
that all members of a cooperative group understand
all ideas and steps along the way. Conduct frequent
oral checks to see that each student has adequate
understanding before the group moves on in its work.
PERIODS 17 - 23: Unite the class and Summing Up
progress on the learning goals
Group research and
investigation through KSBs. Have students
complete all of the KSBs sequentially.
- KSB #1, "Characteristics of Sound Waves"
- Students investigate how sound waves are generated.
Internet research of a musical instrument; Virtual
Field Trip #1
- KSB #2, "Using an Audio Analysis System"
- Students analyze the components of music; find
the component frequencies using Fast Fourier Transform
(FFT) function.
- KSB #3, "Music and Strings" - Students
investigate the standing waves produced by strings.
- KSB #4, "Music and Columns of Air"
- Students investigate the standing waves produced
by open and closed tubes.
- KSB #5, "Digital vs. Analog Audio Signals;
Recording Media" Students investigate methods
to record and process audio signals. Virtual Field
Trip #2